Grainy film, but it has to be, trying to freeze motion in indoor lighting when a flash would give you away. Chicago flaps them dry under red Christmas lights. There are six keys to the darkroom; a dead man has one of them, and she’s got the other five.

Two prints: the beaker halfway up its bounce, intact. The beaker at its peak, exploding. She almost expected to see a bullet piercing it. Instead it’s the cap of a pen.

“Do you believe in ghosts?” she asks herself.

“Yeah,” says True, behind her. Chicago chomps her tongue to kill a yelp.