Skip to content

Charisma

“More after I finish my essay,” Charisma promises the adoring crowd, who sigh and aww. She rerobes and pockets the cash before turning to Racell, who’s scribbling in her reporter’s notebook.

“You don’t even dance?” asks Racell. “You just… pose for money?”

“Like a life drawing class,” smiles Charisma as they walk to her dorm. “Sans the middleman.”

Racell nods, fascinated. “And the money’s supported you in earning–what, three PhDs?”

“Maybe four, if I ever get started writing!”

They shake hands; Charisma closes the door, sits, breathes, and opens Word.

This is my esasy! she types. the theses is: HITLERS

Mina

But Dracula doesn’t contact her by midnight, or the midnight after that. Mina scowls at the flimsiness of honor for hire and goes about life as she has for weeks now: working, making tea, missing Lucy. Wondering.

Who’d kidnap her, and why? No ransom. No evidence. Resources to hire disappearing twins and turn her apartment upside down. Long arms, she thinks.

Resources. Long arms. Conspiracy.

She bursts into Dracula’s office the second time with a wild eye, not sure whether to accuse him or save him, but he’s not there: only a ragged man, giggling, eating a rat on his desk.

Freddy

RESULTS: MODS CLAIM HOUSE FROM ROCKERS! chokes the headline before Freddy rips the paper in two and lets it flutter dramatically away. Then he kicks his bike.

“Those scootering cunts! We’ll never have a decent speed limit again!” moans Chuck. “Let alone the radio. What will we do, Freddy?”

“I’ll tell you what we’ll do.” Freddy throws his scarf back over his shoulder. “We’re going to grow out of faddish politics, and let a younger generation find common ground in a new ethos called ‘punk.'”

He stands there for a while, fluttering.

“Isn’t that the same as losing?” says Chuck hesitantly.

Six

Six, quite rudely, cuts Seven short: “I don’t recall your drawing the Orator.”

“The Architect is permitted to explain the shape of things to come,” huffs Seven. “Obligated, really.”

“But Six is the Advocate,” says Three, “can’t be blamed for fomenting dissent.”

“I think this whole roles-by-lots business is ridiculous,” says Five.

“The old system was biased!” says Four. “Bidding can be gamed, but drawing lots gives the whole business up to the hand of chance.”

Two nods. “We are nothing if we are not equal.”

Then why can we be put in order, asks One, but not aloud.

Important Safety Information – Read The Following

  • Reading this story will not save your life.
  • It will not make you literate, intelligent, confident or cool.
  • It will not reveal the right choice to make at a crucial moral crossroads.
  • This story will not give you the words to say to crowds, the police or pretty girls.
  • It will not give you a useful understanding of a complex subject.
  • It will not give you new ideas; if anything, you now have one fewer idea to discover.
  • This story is not to be used as a flotation device.
  • This story, like most stories, is not useful for much at all.

Finbar

“You must provide the other side,” intones the voice calmly, and with that the needle skips up out of the groove into the hiss-and-pop of vinyl infinity. Finbar lifts the record to see that it’s true: its reverse is completely unmarked. He nods, and gets a knife.

He digs the groove by hand for three weeks. He sings to it, and wonders if the vibrations will emerge ghostlike in the finished product. He meditates about it; he bathes it in moonlight. At last, he sets it reverently on the turntable to play.

It sounds like a giant zipper farting.

Odysseus

“Now that’s a suitably epic conclusion!” smirks Odysseus, wiping blood from his spear.

“Epic?” says Athena. “That muse doesn’t exist yet, and this is the second epic ever, and its conclusion is me ex machina. Again.”

“I could have taken them,” says Odysseus, smearing bloody hands onto his bloody breastplate.

“Obviously,” mumbles Laertes. “You already killed their sons. And grandsons.”

“Whatevs!” says Odysseus, wading into bloody surf to blood the blood off his bloodblood. “I’m king again, at least until I die peacefully, in water, as prophesied!”

“Isn’t that something shiny?” points Athena.

“Wow!” says Odysseus, and strikes out from shore.

Carabosse

“You, being a spirit, understand little,” murmurs Carabosse. “Little is your expertise, your calling, even your living space. Have you considered how much more effective you could have been at an subvisible scale? Not that I’m imprecise; I’ll have to tell you sometime how much I accomplished with the tip of a spinning needle…”

The raven on Carabosse’s shoulder can’t resist leaning down to peck at the shiny black lamp. It buzzes back, and shudders angrily.

“Hush now,” says Carabosse, turning it over in her long white hands. “If we’re going to work together, you really must learn a little patience.”

H’rnhoth

These pages contain no flames whatsoever. The words herein will not evoke from thin air any of the nine elements, nor will their use in conjunction with telluric resonant circuits produce bends in the matter of time. The names within are fictional, and any resemblance to gods living or dead is entirely coincidental. This book provides no guarantee of internal Euclidian geometry. The hagiographic index may not be used to tempt saints.

This comprises the entire and binding agreement between READER and EDITOR. In no event will the EDITOR be liable for consequences of misuse.

<H’rnhoth> I agree <Iighilló> I decline

Ludovico

Ludovico spits blood, holding Sardinia underwater. She got in a few swipes, but he’s got a good grip now; her struggling is weaker. He watches intently. Long red segments erupt from her mouth.

He tears her from the tub and watches the thing stop moving. “Carapace bomb,” he says, “meant for me. Shell like iron. Builds up methane until it blows out your esophagus, and the shrapnel kills anyone nearby…”

“Oh G-God,” she chokes, “I thought you were m-mad because I slept with Francesco but you know I’m sorry–”

“Oh,” he says absently, “right,” and plunges her back in.