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Imago

Imago ran west with the wolves, upriver, farther than any man had been able to row.

The river became white water; white water split to a thousand streams. Imago and his pack followed the largest each time until they came to a spring as clear as grief, and beyond it waited the end of the world.

Imago sniffed nervously, then peered at the border. It took him some time to remember his voice.

“Is it,” he cleared his throat, “a long way to fall?”

“Only if you look down,” said the end of the world, and drew him over the edge.

Inigo

Prince Inigo rode south to the mountains, where giants bellowed challenge at his standard. When they fell the rocks boomed like kettle drums; his blade was white with their blood.

Those fled who would not battle, and by spring their savagery was gone from the land. The people of the kingdom came bustling behind him and settled in to iron out the hills.

Inigo found himself lord of a castle in a peaceful and prosperous land. But for his absent brothers, it was quite like home.

He took up his standard and rode south yet deeper, and was not seen again.

Lonago

Prince Lonago went east until the road became a pier, and stepped onto the ship at its end. He sang down the wind to set them sailing sunward, and they came to an ancient city, peopled with soft accents and clever lies.

Lonago learned there to sing other things: riddles and flattery, counterpoint and intrigue. His voice cracked and warbled, then settled again into subtler tones. But there were only so many homes in the city. None of them were for him.

The wind that took him west was fitful and hesitant, like a lover with a catch in her throat.

Inigo, Imago, Lonago and Gad

Once upon a time there were four princes: Imago, Inigo, Lonago and Gad. Imago was swift; Inigo, strong. Lonago could sing down the wind in a high, clear voice like a violin.

The brothers learned to hunt and sail, the declension of Latin and to declaim in Greek. They cared for the people; the people thought them fine.

When they were twenty-three, twenty-one and eighteen respectively, Imago, Inigo and Lonago rode to the corners of the kingdom to seek wisdom and return as men.

Gad stayed home to actually run the castle.

This story has little concern for Gad.

Kensington

Skittish investors scurry for relative safety when Kensington turns on the kitchen light, but she’s quick and manages to catch a couple of them by their tails.

“I knew it!” she says. “I’m going to have to call in the exterminators, aren’t I?”

“oh noes,” squeaks one of them.

“listen ok there is another solution 2 this,” chirps his dangling friend.

“Really? I’m not sure I want to hear it.”

“we can has capital infusion kplzthx”

Kensington shakes her head very slowly and marches off to flush them.

Later, the rest of them burn her house down while they’re still inside.

Dylan

The Chosen Ones are bruised and dull-eyed: their knuckles are blood-blackened and their nostrils are white. Their muscles slide over each other like great rusting cables, smooth but shrieking. Their battle is joyless. This is the cost of the death of a friend.

Only Dylan still moves with their old pinwheeling grace, but if there’s joy in her movements then that joy is savage. She flickers, and blood blooms from the bodies of nameless men (her knuckles are smooth; red ribbons chase her knives). She’s fire and the means of walking amid fire. She is the temptation of revenge.

Young Lennie Briscoe

Young Lennie Briscoe hasn’t mastered the trick of looming yet: he gangles, and doesn’t seem to know what to do with his nose.

He’s back from Vietnam (his first tour–he’ll get another) and parking cars at the Atwater for half-dollar tips. Then one Sunday nobody comes in to pick up this ’57 El Dorado, a beauty with a bit of a smell about her. Nothing in the glove; they pop the trunk to check for ID, and–

“Oh my God!” gasps Lennie’s boss, dropping the keys. “A body!”

“Like I never heard that one before,” Young Lennie Briscoe quips.

See Me

See Me feels ice burn away from his fingertips, his nose, his chest, and he racks his body with choking sobs. Water gouts from his mouth and he claws at the floor, unable to stand or feel the Wish Power. Cold. Terror. There was someone here, someone he had to fight, his sword–his Princess–in danger–

“Just relax for a moment,” croaks an awful voice. “You’re free of the fleshscrub swaddling. You have hibernation sickness.”

“I can’t see,” See Me chokes.

“Your eyesight will return in time.”

“Who are you?”

“Someone who loves you,” coos the Speaker, stroking his face.

Narrative

Dream logic is the enemy of narrative, but on Christmas Day they declare an armistice and share cigarettes across the front.

“This all began before we were born,” says narrative. “Back at the rise of primordial consciousness, with the need to differentiate the honest memory of your senses from random neural noise. It had to come to war eventually. And when it finally hits its bloody climax, what will that mean for you and me?”

“Hey!” says dream logic narrowly. “Weren’t you my mom a second ago?”

“Well, that’s a funny story,” chuckles narrative, and takes a long drag to begin.

Dagmar

The dreamcatcher works so well for Dagmar and Hesse that they buy a mailcatcher, a friendcatcher, a flycatcher and a discussioncatcher too. (The flycatcher is just one of those unrolled sticky things; they call it that for symmetry.)

Life gets a lot smoother. Too smooth, in fact.

“Dag,” says Hesse carefully one day. “Ever get the impression that we can’t actually… talk about those?” He waves toward them.

“Because of the dis–the disc–” She can’t quite name it.

“Yeah.”

“Um.” She bites her fingernail. “Should we take it down?”

“Mmf mmfff!” agrees Rondo, from the cotton web outside their door.