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Proserpina

The first time Proserpina explicitly notices one of her teachers is during choir practice. She herself is an unspectacular alto (Iala, by popular acclaim, first soprano; Radiane doesn’t sing).

The teacher in question is Miss Havisham, their choirmistress, nearly thirty and prone to occasional lectures on Liberation about which the school administration probably should not know. The way she attracts Proserpina’s notice is a simple, straightforward sobbing breakdown. Iala’s contingent bustles into comfort formation, and soon all is right again; but when she loosens her bodice to breathe more easily, Proserpina spies the blue point of a tattoo between her breasts.

Proserpina

“But he was being coy,” Proserpina will muse to Iala at the start of the new semester, “and he wasn’t just there about Father’s holdings. He’s in a different kind of business altogether.”

Iala wrinkles her face. “You really think he wanted to marry you? To his son?”

“Only as a short-term goal,” says Proserpina absently, “he wants something else in–” She stops and blinks. “Wait, do you think it’s improper? It’s not unusual to plan these things.”

“It’s not that–he’s from down there.

“The world’s getting smaller.” Proserpina’s smiling now.

“I’ll wager he killed someone,” says Iala darkly.

Proserpina

Proserpina and Iala have been friends since their second day, and each has found this useful: Proserpina is most confident of the new girls, Iala the best at charming their elders. Between them they have half the school in their jumper pockets.

Radiane seems to have only one friend, an apple-cheeked second-year named Georgette; they eat lunch and do assignments together. Proserpina mentions to Iala, casually, that they should talk with Georgette more. Doesn’t she seem like a darling? Lucky there’s a space at their table.

Radiane eats alone after that, looking cool and bored and never their way.